My artistic journey has been one of constant evolution, reflecting a deep engagement with existential themes and the interplay of physical, psychological, and spiritual elements. Initially grounded in figurative work, my practice began with an exploration of the human body, using the medium of bronze to investigate surface, form, and the fragility of existence. These works sought to express the tensions and harmonies of being in the world, addressing the intricate relationship between mind, body, and spirit. I have been an osteopath ofr over 30 years so understand the in a holistic way. Its not just a body.  I have an MSc in Transpersonal Psych. and Consciousness Studies. I trained in drawing and sculpture at LARA (London Academy of Representational Art), a school ounded by artists who emerged from the FLorence Academy. In 2014 I completed an MA in sculpture at Colchester School of Art.

Over time, my process has shifted toward abstraction, moving beyond the representational figure to distil his ideas into elemental forms that express concepts of Perception, Experience, and Encounter,  This transition marks a progression from depicting the external human form to embodying the existential dynamics of existence.

My new work : RELATIONAL FORMS are less about the object and more about feeling and realation, how light passes through, how shadow settles, how colour shifts as you move around them. Colour takes on the role anatomy once did, organising tension and relations witha simple depiction of the body itself in form. What remains is the figure and its behaviour. The body fades away and is simplified in circular forms; Head, Trunk (rib cage) & Pelvis.

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This evolution is not a departure but a deepening of my practice. The figurative provided the foundation for understanding form and structure, while abstraction allows me to delve into universal truths that transcend physical representation. By embracing this shift, the work continues to engage with the core existential ideas of perception, encounter, and embodiment, grounding the abstract in the same meditative and expressive act that has always defined his approach. Through this transition, I invite the viewer to engage not only with the external forms but also with the invisible energies and forces that shape our shared experience of being.